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For me, the click of the camera marks the beginning of the process. Often that initial image is just an inkling of an idea, a feeling that it may be interesting. This then needs further work to tease out, to chip away at, until I can get to the essence of what it is. This process is a time of experimentation and of trying to find the correct expression of that initial idea. I may have many versions, before choosing the image that best satisfies this.

As a child, much to the annoyance of my family, I was always taking things like record players and radios apart to see how they work. More often than not I would get an electric shock and often things wouldn't go back together quite right. However, this habit of pulling things apart has continued into my photography. Never happy with the preferred way of making images, I enjoy tinkering below the surface to see what lies beneath.

Punk was a big influence on me. Not just the music but the attitude, the DIY approach of just getting on with it, expressing yourself. I loved the stripped-down music, the freedom in just three chords. I find myself taking this approach to my images - stripping away the unnecessary, reaching out for a visceral response. I'm looking for the visual equivalent of that 2 minutes and 12 seconds of honed perfection that is the Ramones blasting out Blitzkreig Bop.

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More recently, I have been attempting to find meaning and connection/reconnection with the natural world by returning to Suffolk, the place of my birth and making new work in the coastal areas. Rather than battling against my neurological condition, I’ve come to allow this to be a part of my work. My brain has difficulty processing proprioceptive information, so I cannot tell where my body is in space. My life is, quite literally, out of balance, which I think connects with a broader sense that we are living in a time when we are disconnected from nature.

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